In May I was selected for a UK team that pitched various film ideas at
Dragon Forum at the
Krakow International Film Festival. I pitched my animated series idea
Animal Operations Executive which was very well received by both the
Dragon Tutors and other delegates. I'm now looking for producer and co-producer partners.
Its
a World War II themed idea based around Winston Churchill's wartime cat
Smokey - leader of the clandestine Animal Operations Executive - a
fictional counterpart to
SOE.
The idea is to educate and entertain children with stories of animals
fighting the tyranny of the Nazis in Europe and North Africa.
Some of the adventures could be based on real animals such as
Wojtec
the Polish fighting bear. Others could be based on fictional stories
based on real events. The Dragons thought it had real potential and
shelf life. I was delighted to find out that a new statue of Wojtec was
unveiled in Krakow on the day of my arrival - an auspicious omen I hope.
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| Wojtec and I at Park Jordana in Krakow |
Krakow was a brilliant experience and I met loads of new people and made some new friends. I was delighted to meet
Bill Siegel from Chicago who was screening his new documentary
The Trials of Muhammad Ali.
Back in the UK I attended an event for animation writers at the BFI. The event was put on by
Melwood Pictures
in partnership with Euroscript. Melwood Pictures are a new UK-based
company aimed at developing animated features. There is renewed interest
in animation following the governments decision to extend the
tax credit.
Melwood is run by Max Howard and Ramsay McBean. Max has "created and run studios for Disney in London, Paris, Orlando
and Los Angeles, working on some of Disney’s most memorable films
including Who Framed Roger Rabbit, The Little Mermaid, Beauty and the
Beast, Aladdin and The Lion King. As President of Warner Bros Feature
Animation he oversaw such hit movies as The Iron Giant and Space Jam.
At DreamWorks, he was co-executive producer for Spirit, Stallion of the
Cimarron". Impressive.
I managed to pitch Scampenstein and some other ideas to Max and am waiting to hear back.
A
few days after that event I was back at the London Screenings event at
the BFI with 104 Films as part of their Generation 104 training scheme.
The London Screenings is a sales and distribution market for British
films. We learnt a lot about how the market evolved and also how the
sales and distribution world worked.